Tempo. Some words on our old teammate Bob Gilmore (and his latest endeavor) by Tim Johnson, currently part of the Brunel Music team
The October 2014 issue of Tempo has just dropped through the door, I think the fifth since its editorship passed from Malcolm Macdonald to Bob Gilmore last year. And it’s another good one: Gilmore is doing great stuff there. In his editorial he notes that one of the things he wanted to do with Tempo upon taking over was to shorten its remit 50 years closer to the present (ie music post-1950 rather than post-1900), and I’m liking the renewed focus very much indeed.
I’m particularly looking forward to reading Jennifer Iverson’s article on ‘Ligeti’s Dodecaphonic Requiem’, even if that is at the old end of the new music shelf. A lot of ideologically-driven guff gets spouted about Ligeti turning his back on serialism, and with it the tide of European music history towards the postmodern light. There are enough clues in the Requiem to suggest to anyone who cares to look (as Jonathan Bernard and others have…
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