And so to Peckham for the second weekend of the London Contemporary Music Festival. Because of holidays booked with the kids (middle-age problems) this was the only night I could really make. But the gods of calendars did well for me.
The night was billed as ‘New Complexity and Noise’, and the promo materials referred to ‘two radically different schools [that in the 1970s began to push contemporary music to the outer limits of density and possibility’. It’s a false dichotomy, of course, as shown in the forthcoming book Noise in and as Music from University of Huddersfield Press, co-edited, incidentally, by one of tonight’s composers. ‘Noise’ and ‘complexity’ are more like different paths from the same place.
And not always so different, as the concert itself made clear. Letting ‘these two worlds collide’ was the marketing hook, but the evening’s real success was to highlight similarities and connections…
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